Yoruba Ritual
-video review 21(1):40
York University
Faculty of Fine Arts Slide Library, profile 7(1):6
Young, Patrick
-Archival Processing of Fiber Base Paper 13(2):13-14
-Ask the Photographer column 11(1):5; 11(2):4-5; 11(3):6; 11(4):13-14;
12(1):15-16;
12(2):9-10; 12(3):10; 12(4):5-6; 13(1):22-23; 13(2):13-14; 13(3):7-8;
13(4):5-6
-black-and-white negatives from slides 11(3):6
-black-and-white slides 7(2):13
-black-and-white transparency films 10(4):12
-Color Film for Museum/Gallery Photography 7(3):11
-color film selection 6(3):4
-Comparison of Color Films Used to Photograph Works of Art 10(1):13,
(correction) 10(2):7
-Conversion of Glass Lantern Slides to 35mm 11(2):5
-Copy Photography Techniques 6(2):4
-Equipment for Copy Photography 6(1):10-11
-Equipment for Slide Duplication 8(2):10
-In-House Production of 1/2" Video Tapes for VR Collections (abstract)
15(1):11
-Instant Slides 12(3):10
-Lighting Equipment for Museum/Gallery Photography 7(4):10
-Museum Photography: Lighting Three-Dimensional Objects 8(1):11
-New Equipment for Slide Duplication and for Copy Photography 9(1):16
-Precautions when Photographing Works of Art 9(4):8
-Projectors for Slide Lectures 12(4):5-6
-Report on University of Missouri at Kansas City Workshop in Photographing
Art 9(3):10
-Reproducing Greens 9(2):8
-review of Photographing Works of Art 13(4):5-6
-Resin Coated vs. Fiber Base Papers 13(1):22-23
-Selecting a Lab to Process Color Film 11(4):13-14
-Slide Duplication, part I 8(3):4; part II 8(4):12
-Tips on Negotiating Discounts on Equipment from a Local Dealer 12(2):9-10
-Tips on Purchasing Equipment from a Mail Order Discount House 12(1):15-16
-Travel Photography 10(3):7
-Use of Ektachrome 50 film 6(4):11
